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  • Traces of Guanyin
  • Curatorial Concept
  • VALENTINA GAMBERI
    • Valentina Gamberi’s Biography
    • Introduction to Valentina Gamberi’s Exhibition
    • Following the trace: an Ethnographer’s Journey
    • Interpreting whispers: starting the research
    • From a piece of wood to a sacred icon: consecration rituals and god statues’ life span
    • Researching a Taboo Topic: Fieldwork on Deconsecration rituals
  • YUHUA CHANG
    • Yuhua Chang’s Biography
    • Introduction to Yuhua Chang ’s Exhibit
    • An interesting impression: drawing following an ethnologist during fieldwork
  • HUNG-CHIH PENG
    • Hung-Chih Peng’s Biography
    • Introduction to Hung-Chih Peng’s Exhibit
    • On Second-Hand God Statues: A Conversation with the Artist Hung-Chih Peng
  • 中文

tracesofguanyin

Hung-Chih Peng’s Biography

Peng is an interdisciplinary artist active in both Taiwan and the international contemporary art scene. Born in Taipei in 1969, he graduated from the Department of Fine Arts at National Taiwan Normal University in 1992 and received his MFA from the San Francisco Art Institute in 1997.
Since then, Peng’s works have been featured in biennales in Istanbul, Gwangju, Fukuoka, and Taipei, and he has held solo and group exhibitions across Europe, the United States, and China. He has worked across diverse media, including video, installation, sculpture, ink painting, oil painting, and 3D printing. Peng’s artistic practice explores the complex intersections of religion, culture, power, and identity.
He challenges established perceptions of social structures and belief systems. In his renowned “Canine Monk” series, he employs the image of a dog to transcribe religious scriptures, probing the boundaries and transformations between divinity and animality. 

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